Bbedlam's avatar
Some of those influences are clearly visible. Some of them not so much. Excellent all the same :)
PaulSizer's avatar
Just 'cause I'm curious; which ones are the less obvious? I have a few ideas, but I'd love to hear what you think.
Bbedlam's avatar
Well, I don't see a lot of George Perez or John Byrne in your style honestly. I can see a little of Herge, but not a lot of Charles Schultz. Other than that, I think I can see most of everyone else there.
PaulSizer's avatar
Perez and Byrne were more catalysts that got me excited enough about comic art to want to expand what I was doing. I aped elements of their work (incredibly complex backgrounds, etc.), but now my style doesn't reflect them that much. Schulz was were I learned most of the elements of comic storytelling, pacing, etc.
Bbedlam's avatar
I think (and hope) my style reflects Perez and Toriyama. I wish I had the patience to do incredibly complex backgrounds, but I just don't. Someday Iwill force myself to do one... possibly in homage to the way Perez forced himself to do the White Tiger splash page...
PaulSizer's avatar
Oh yeah, that was a classic.
Admittedly as a kid I aped his complex backgrounds and didn't pay attention to his composition, figure work and storytelling, but I think any young artist will do that; dig the 'splode, overlook the skill. Still, he got me excited about comic art, and I was loyal to him, one of the first artists that I would follow to ANY book he did. As I grew up, I began to do that more and more, and now I tend to follow artists exclusively in my comic purchases, artists or writers.