Alrighty. Again, it's an awesome piece. It just needs a little adjusting, kinda like a clay sculpture can look good until you work it with your hands and make it better.
I'm not gonna mention every little thing. I'd just proofread it again (even if you have once) and, if necessary, read it aloud. Remember when reading it to adhere strictly to all your grammar and punctuation. One proofread helps a lot. Two proofreads helps even more.
The first thing I noticed was that the beginning is confusing, because the POV switches a few times back and forth. It goes between 'he' and 'I', and I found myself wondering who 'he' was and if 'I' was watching him.
"Maybe she was like him. Busy working, but she seemed dressed for Halloween already even though it wouldn't be until tomorrow seeing as how it was going to be Halloween's Eve soon." These sentences are put together strangely. I feel like since "Busy working" clarifies how she was like him, it should be part of the sentence, either using a colon or comma. Then the "But she seemed dressed..." can start as a new sentence. Don't worry about starting a sentence with a conjunction. It's not so frowned upon as it once was.
On top of that, the "Busy working" sentence is a run on sentence. I'd read it aloud, adhering strictly to punctuation, and you'll see what I mean. XD
Where your characters bounce between dialogue starting at "Excuse me, but I have to get to the other side." is a little unclear. Both times I read it, I had to reread that part to figure out who was saying what.
Otherwise, I don't have much to say. I LOVE how you stay consistent with things. One of the hardest things I struggle with is consistency. I'll forget it's raining, my character's holding a cup of coffee, my character's tired, etc. But you're really good at that. You seem to picture the scenes in your head clear as glass and know how to portray them. I appreciated your character's coworker, there as before with his cup of coffee. It gave me a little laugh when I read that.
I also love the intensity near the end, when she's starting to change. That's when I feel you really get into the story, which sucks me into it. I began to grow horrified and afraid for your main character. It was really exciting.
FInally, I also really find it interesting that no one has names. Names aren't important, and you pulled off a story without them. If you were to remove all the third person stuff about your character (he ran out, etc.), I wouldn't have even known it was a man. And frankly, I wouldn't have cared. Some stories need a character with a gender, but this one is not one of them.
I'm not gonna mention every little thing. I'd just proofread it again (even if you have once) and, if necessary, read it aloud. Remember when reading it to adhere strictly to all your grammar and punctuation. One proofread helps a lot. Two proofreads helps even more.
The first thing I noticed was that the beginning is confusing, because the POV switches a few times back and forth. It goes between 'he' and 'I', and I found myself wondering who 'he' was and if 'I' was watching him.
"Maybe she was like him. Busy working, but she seemed dressed for Halloween already even though it wouldn't be until tomorrow seeing as how it was going to be Halloween's Eve soon." These sentences are put together strangely. I feel like since "Busy working" clarifies how she was like him, it should be part of the sentence, either using a colon or comma. Then the "But she seemed dressed..." can start as a new sentence. Don't worry about starting a sentence with a conjunction. It's not so frowned upon as it once was.
On top of that, the "Busy working" sentence is a run on sentence. I'd read it aloud, adhering strictly to punctuation, and you'll see what I mean. XD
Where your characters bounce between dialogue starting at "Excuse me, but I have to get to the other side." is a little unclear. Both times I read it, I had to reread that part to figure out who was saying what.
Otherwise, I don't have much to say. I LOVE how you stay consistent with things. One of the hardest things I struggle with is consistency. I'll forget it's raining, my character's holding a cup of coffee, my character's tired, etc. But you're really good at that. You seem to picture the scenes in your head clear as glass and know how to portray them. I appreciated your character's coworker, there as before with his cup of coffee. It gave me a little laugh when I read that.
I also love the intensity near the end, when she's starting to change. That's when I feel you really get into the story, which sucks me into it. I began to grow horrified and afraid for your main character. It was really exciting.
FInally, I also really find it interesting that no one has names. Names aren't important, and you pulled off a story without them. If you were to remove all the third person stuff about your character (he ran out, etc.), I wouldn't have even known it was a man. And frankly, I wouldn't have cared. Some stories need a character with a gender, but this one is not one of them.
Thank you very much. 