I loved Les Mis as a story, but fucking hated the third act where basically the play shat in my eyes by resorting to a contrived "true love" dynamic, like Romeo and Juliet does. P.S. I hate that play as well. It's egregiously over wrought and leans waaaaay too much on two-dimensional story telling. It's like 'okay, the two families fight....why?' I understand the families themselves don't know their original impetus for their ongoing vendetta, but, then again, neither do israelis and palestinians (not the whole story, anyway), they just know the most recent scandal that's sparked their animosity one to the other. If shakespeare had bothered unwedgeing his thumb from his ass (that was not a gay tag, by the way) long enough to bother explaining, maybe it would have began to be a credible anecdote. But, alas, the bard does nothing of the sort.
Also I don't buy that bullshit ending that reads like 'oh, these two idiot kids killed eachother because they don't know what a pulse is and how to check for one, welp, guess we better stop fighting! You know, this is probably not even the first time this shit's happened. I mean, our families have been in close contact for only a couple hundred years; and it's not like in an office environment it's not uncommon for feelings to develop: but whatever, let's all stop our war, let's have all our recent greivances against eachother GRIND to a halt because a jew and a nazi fell in love in the middle of world war two: it doesn't make any sense. People don't stop wars just because two numb nuts decided to run away with eachother. There are bodies on the floor. That's not something you can just brush to the side with a fist bumb and a rousing chorus of 'all you need is love' by the beatles. It's absolute, pure, unadulterated bullshit. Vietnam didn't stop when buddhist monks elected to burn themselves alive in protest. That's a much more powerful message, and is several times less self serving.
I agree with what Mercutio said, "a plague on both you houses!" Frankly, I feel like he was the only person who PROVED his love for someone else by fighting for Romeo's life.