Yeah, I dunno, those folks running away from Skulhedd came out looking kinda crappy. I thought I could get away with it, but usually when you think that, you can't.
And it's called Bulletproof because future stories (which I don't know if I'll ever get around to, but I really, really want to) will be about other characters. It'll all tie together and be set in Junction City, but this one's just to get the ball rolling.
Anyway, thanks for the fav and all that good stuff. Glad you like it.
And it's called Bulletproof because future stories (which I don't know if I'll ever get around to, but I really, really want to) will be about other characters. It'll all tie together and be set in Junction City, but this one's just to get the ball rolling.
Anyway, thanks for the fav and all that good stuff. Glad you like it.
It's pretty easy to shortcut figures that are in the background. Figures in the foreground are near impossible to do so with.
I like what I've read so far so I'm interested to see what other concepts you have cookin' down the road. Oh yeah, I wanted to note that I thought you did a good job with the dialouge in making it both funny, intersting and realistic. Plus you threw in some profanity which I always enjoy.
later,
chris
I like what I've read so far so I'm interested to see what other concepts you have cookin' down the road. Oh yeah, I wanted to note that I thought you did a good job with the dialouge in making it both funny, intersting and realistic. Plus you threw in some profanity which I always enjoy.
later,
chris
Yeah, live and learn, I guess. I was kinda thinking along the lines that Skulhedd's the main focus attention, so there didn't need to be (and maybe shouldn't be) too much cluttering up the people running from him, but as you can see by the borderline overrendering I ended up doing when I colored it, I eventually realized that I was wrong.
Glad to hear the dialogue worked for you - it's kind of important for the rest of the story that that sequence holds up.
Glad to hear the dialogue worked for you - it's kind of important for the rest of the story that that sequence holds up.